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12.24.412025-10-08T15:57:04+00:00monthlyhttps://criticalista.com/2013/05/22/bullshit-island/2025-10-08T15:56:11+00:00monthlyhttps://criticalista.com/2013/06/10/the-forest-metaphor/2025-10-08T15:55:16+00:00monthlyhttps://criticalista.com/2013/08/20/la-grande-motte-revisited/2025-10-08T15:53:27+00:00monthlyhttps://criticalista.com/2013/09/01/architecture-road-tripping-marseille/2025-10-08T15:52:43+00:00monthlyhttps://criticalista.com/2013/09/04/product-placement-emplazamiento-publicitario/2025-10-08T15:51:52+00:00monthlyhttps://criticalista.com/2013/09/27/step-right-up-architectural-monumentality-three-boxer-shorts-for-only-6e/2025-10-08T15:50:44+00:00monthlyhttps://criticalista.com/2013/10/05/a-barcelona-hotel-gets-graphic/2025-10-08T15:49:43+00:00monthlyhttps://criticalista.com/2013/10/27/how-much-does-your-conscience-weigh-mr-koolhaas/2025-10-08T15:48:38+00:00monthlyhttps://criticalista.com/2013/10/30/sociability-generator/https://criticalista.com/wp-content/uploads/2014/05/2014-05-06-19-20-08.jpg2014-05-06 19.20.08Generator as seen from carrer de Còrsega2025-10-08T15:47:52+00:00monthlyhttps://criticalista.com/2013/11/19/sagrada-familia-doubt/2025-10-08T15:46:58+00:00monthlyhttps://criticalista.com/2013/12/06/spanish-steps/https://criticalista.com/wp-content/uploads/2013/12/p9035174.jpgOLYMPUS DIGITAL CAMERAhttps://criticalista.com/wp-content/uploads/2013/12/p9035177.jpgOLYMPUS DIGITAL CAMERAhttps://criticalista.com/wp-content/uploads/2014/05/p9035167.jpgOLYMPUS DIGITAL CAMERAThe central stairway of "The Thing", an intervention within a historic sawmill2025-10-08T15:44:54+00:00monthlyhttps://criticalista.com/2013/12/07/media-tic-another-sad-spectacle/2025-10-08T15:44:07+00:00monthlyhttps://criticalista.com/2014/01/12/power-corruption-and-architecture/https://criticalista.com/wp-content/uploads/2014/01/1298981976_0.jpg1298981976_02025-10-08T15:41:30+00:00monthlyhttps://criticalista.com/2014/01/17/critical-juncture/2025-10-08T15:40:56+00:00monthlyhttps://criticalista.com/2014/02/28/tourism-versus-terrorism/https://criticalista.com/wp-content/uploads/2014/02/9196999_cfbcc25067_o.jpg9196999_cfbcc25067_o2025-10-08T15:39:12+00:00monthlyhttps://criticalista.com/2014/03/12/from-bauhaus-to-vitrahaus-and-beyond-a-new-meme/2025-10-08T15:37:43+00:00monthlyhttps://criticalista.com/2014/04/10/whats-in-a-name/https://criticalista.com/wp-content/uploads/2014/04/002-mezquitacordoba-catedral-renacentista-plantacubiertas.jpg002-mezquitacordoba-catedral-renacentista-plantacubiertashttps://criticalista.com/wp-content/uploads/2014/04/mezquitacordoba-e1418074064547.jpgMezquitaCordoba2025-10-08T15:36:14+00:00monthlyhttps://criticalista.com/2014/05/28/some-reflections-on-concrete-formwork/https://criticalista.com/wp-content/uploads/2014/05/2014-05-19-10-22-03.jpgCor-ten steelhttps://criticalista.com/wp-content/uploads/2014/05/p5256337.jpgOLYMPUS DIGITAL CAMERA2025-10-08T15:34:04+00:00monthlyhttps://criticalista.com/2014/06/12/destination-barcelona-renaissance-fira-hotel/https://criticalista.com/wp-content/uploads/2014/04/22a8b-pa192038.jpgOLYMPUS DIGITAL CAMERAThe Hanging Gardens of Babylon meet Piranesi's Carceri2025-10-08T15:33:33+00:00monthlyhttps://criticalista.com/2014/06/17/architectures-prime-taboo-is-one-of-its-fundamentals-too/https://criticalista.com/wp-content/uploads/2014/06/2014-06-07-16-35-40.jpg2014-06-07 16.35.40https://criticalista.com/wp-content/uploads/2014/06/2014-06-07-16-32-17.jpg2014-06-07 16.32.17https://criticalista.com/wp-content/uploads/2014/06/2014-06-06-16-07-48.jpg2014-06-06 16.07.48https://criticalista.com/wp-content/uploads/2014/06/2014-06-07-16-29-27.jpg2014-06-07 16.29.272025-10-08T15:32:56+00:00monthlyhttps://criticalista.com/2014/07/10/criticism-as-reality-check/https://criticalista.com/wp-content/uploads/2014/07/p7066390.jpgThe sagging cantilevered walkway has its ups and downshttps://criticalista.com/wp-content/uploads/2014/07/dscn0765.jpgDSCN0765Train station when it was still under constructionhttps://criticalista.com/wp-content/uploads/2014/07/p7066583.jpgCantilever ends presumably broken by vehicleshttps://criticalista.com/wp-content/uploads/2014/07/p7066400.jpgZaragoza Delicias Intermodal Stationhttps://criticalista.com/wp-content/uploads/2014/07/p7066588.jpgA monumentally empty space2025-10-08T15:32:11+00:00monthlyhttps://criticalista.com/2014/12/01/carme-pinos-honours-the-pillar/https://criticalista.com/wp-content/uploads/2014/12/p7066464.jpgExhibition about building's design and construction https://criticalista.com/wp-content/uploads/2014/12/p7066430.jpgArchitectural pilgrims receiving a guided tour of building on opening dayhttps://criticalista.com/wp-content/uploads/2014/12/p7066456.jpghttps://criticalista.com/wp-content/uploads/2014/12/p7066547.jpgCaixaForum Zaragoza features a central pillar skewering the building2025-10-08T15:23:31+00:00monthlyhttps://criticalista.com/2014/12/10/barcelonas-disappearing-green-facades/https://criticalista.com/wp-content/uploads/2014/12/20141210_114011.jpg20141210_114011The city has been building more modern, architect-designed green walls lately, presumably to compensate for the disappearance of traditional green walls in the city. This one has to have a cherry picker parked in front of it every month or so because, unlike the traditional kind, this one cannot be maintained and cared for by residents.https://criticalista.com/wp-content/uploads/2014/12/20141205_171241.jpg20141205_171241https://criticalista.com/wp-content/uploads/2014/04/img_1988.jpgIMG_1988https://criticalista.com/wp-content/uploads/2014/04/2014-04-13-17-01-17.jpg2014-04-13 17.01.17https://criticalista.com/wp-content/uploads/2014/04/greenbalconies.jpgGreen Balconies2025-10-08T15:22:31+00:00monthlyhttps://criticalista.com/2014/12/12/thinking-big-the-city-of-culture-of-galicia-as-regional-development-strategy/https://criticalista.com/wp-content/uploads/2014/12/img_9038.jpgIMG_90382025-10-08T15:21:34+00:00monthlyhttps://criticalista.com/2015/01/07/seriously-now-folks/https://criticalista.com/wp-content/uploads/2015/01/121001_cn-politically-correct_p465.jpg121001_cn-politically-correct_p4652025-10-08T15:20:14+00:00monthlyhttps://criticalista.com/2015/01/14/seeing-things/https://criticalista.com/wp-content/uploads/2015/01/p60240091.jpgThe Baborte Refuge in the Catalan Pyreneeshttps://criticalista.com/wp-content/uploads/2015/01/p6024072.jpgA vernacular huthttps://criticalista.com/wp-content/uploads/2015/01/bureau-a-antoine-mountain-shelter-1.jpgBUREAU-A-ANTOINE-mountain-shelter-1Boulder-shaped hut named 'Antoine' in the Swiss Alps by Bureau A. Image courtesy a-bureau.com2025-10-08T15:16:13+00:00monthlyhttps://criticalista.com/2015/02/06/2015-atmosphere-symposium-at-university-of-manitoba-emergence/https://criticalista.com/wp-content/uploads/2015/02/manitoba-atmosphere-2015.jpgmanitoba-atmosphere-20152025-10-08T15:14:59+00:00monthlyhttps://criticalista.com/2015/02/27/multiple-discovery-idea-theft-or-tweaking/https://criticalista.com/wp-content/uploads/2015/02/t4edited-e1425287485569.jpgElastic Dwelling vs All I Own HouseLeft: Elastic Dwelling by Angelo Roventa Right: All I Own House by PKMN2025-10-08T15:13:48+00:00monthlyhttps://criticalista.com/2015/03/25/a-response-to-marc-kushners-a-new-golden-age-of-architecture/https://criticalista.com/wp-content/uploads/2015/03/gehryguggenheimmres.jpgGehryGuggenheimMRES2025-10-08T15:12:02+00:00monthlyhttps://criticalista.com/2015/04/10/the-tall-building-politically-reconsidered/https://criticalista.com/wp-content/uploads/2015/03/benidorm-pano.jpg2025-10-08T15:09:01+00:00monthlyhttps://criticalista.com/2015/04/26/taste/https://criticalista.com/wp-content/uploads/2015/04/dscf3515.jpgDSCF3515https://criticalista.com/wp-content/uploads/2015/04/dscf3513.jpgDSCF35132025-10-08T15:08:35+00:00monthlyhttps://criticalista.com/2015/05/05/from-baukunst-to-kunstwelt-the-biennialization-of-architecture/https://criticalista.com/wp-content/uploads/2015/04/biennale-growth-graph.jpgBiennale Growth GraphGraph showing the growth of biennales, exhibited at the entrance to the Monditalia exhibition of the 2014 Venice Architecture Biennale.2025-10-08T15:07:52+00:00monthlyhttps://criticalista.com/2015/08/03/the-first-biam-20-years-after/https://criticalista.com/wp-content/uploads/2015/08/bia-rooftop-dancing-1995.jpgBiA Rooftop dancing 1995https://criticalista.com/wp-content/uploads/2015/08/dinner.jpegDinnerhttps://criticalista.com/wp-content/uploads/2015/08/canal-cruise.jpegCanal cruisehttps://criticalista.com/wp-content/uploads/2015/08/citroen-buildings-amsterdam.jpgCitroen Buildings AmsterdamThe venue of the first ever BIAM was VMX Architects' office in the skybox of the Citroën building. 2025-10-08T15:03:48+00:00monthlyhttps://criticalista.com/2015/10/12/still-nurbing-along/https://criticalista.com/wp-content/uploads/2015/08/dscf6001.jpgDSCF6001https://criticalista.com/wp-content/uploads/2015/08/dscf6014.jpgDSCF60142025-10-08T15:00:51+00:00monthlyhttps://criticalista.com/2015/10/30/twisted-logic-turning-torso-as-innovative-housing/https://criticalista.com/wp-content/uploads/2015/10/dscf9037-1.jpgdscf9037-1https://criticalista.com/wp-content/uploads/2015/10/dscf9087.jpgDSCF9087https://criticalista.com/wp-content/uploads/2015/10/turning-torso-e1446120631127.jpegTurning Torsohttps://criticalista.com/wp-content/uploads/2015/10/scan-1.jpegScan 1https://criticalista.com/wp-content/uploads/2015/10/dscf9037.jpgDSCF90372025-10-08T14:57:43+00:00monthlyhttps://criticalista.com/2015/11/10/cycling-barcelona-versus-copenhagen-an-experiential-comparison/https://criticalista.com/wp-content/uploads/2015/11/bcn-bike-paths.pngBCN bike paths2025-10-08T14:53:13+00:00monthlyhttps://criticalista.com/2015/12/03/a-conversation-with-ricardo-devesa/https://criticalista.com/wp-content/uploads/2015/12/ricardo-devesa-e1449175390809.jpegRicardo Devesa2025-10-08T14:52:41+00:00monthlyhttps://criticalista.com/2016/01/12/la-critica-arquitectonica-y-la-imagen-del-arquitecto-architectural-criticism-versus-the-public-image-of-the-architect/https://criticalista.com/wp-content/uploads/2016/01/foges-arquitectos-humor.jpgFoges-arquitectos-humorhttps://criticalista.com/wp-content/uploads/2016/01/image_of_the_architect.jpgImage_of_the_Architecthttps://criticalista.com/wp-content/uploads/2014/04/e5dbb-2013-02-0410-49-38.jpge5dbb-2013-02-0410-49-382025-10-08T14:47:55+00:00monthlyhttps://criticalista.com/2016/02/01/inside-disfrutar/https://criticalista.com/wp-content/uploads/2016/05/dscf8383.jpgDSCF83832025-10-08T14:47:10+00:00monthlyhttps://criticalista.com/2016/02/08/inteligencia-empresarial-corporate-intelligence/https://criticalista.com/wp-content/uploads/2016/02/20160201_202214.jpg20160201_2022142025-10-08T14:46:41+00:00monthlyhttps://criticalista.com/2016/03/25/revisiting-casa-bloc/https://criticalista.com/wp-content/uploads/2016/03/la-casa-bloc.jpgla-casa-blochttps://criticalista.com/wp-content/uploads/2016/03/casa-bloc-unit-plans.jpgCasa Bloc Unit Planshttps://criticalista.com/wp-content/uploads/2016/03/pa318407.jpghttps://criticalista.com/wp-content/uploads/2016/03/p1230035.jpg2025-10-08T14:44:53+00:00monthlyhttps://criticalista.com/2016/04/01/farewell-zaha/https://criticalista.com/wp-content/uploads/2016/04/img_3050.jpgIMG_30502025-10-08T14:44:02+00:00monthlyhttps://criticalista.com/2016/04/05/avoid-the-void/https://criticalista.com/wp-content/uploads/2016/04/croquis_gradaciocc81n2005-e1459854171351.jpgcroquis_gradación2005https://criticalista.com/wp-content/uploads/2016/04/centro-lorca-pedro-pegenaute-e1459854215791.jpgCentro Lorca Pedro Pegenaute2025-10-08T14:43:31+00:00monthlyhttps://criticalista.com/2016/05/23/dizzying-inequality/https://criticalista.com/wp-content/uploads/2016/05/tativille.jpgTativillehttps://criticalista.com/wp-content/uploads/2016/05/160309094122-high-rise-wide-angle-exlarge-169.jpg160309094122-high-rise-wide-angle-exlarge-169https://criticalista.com/wp-content/uploads/2016/05/abalos-herreros.jpgabalos herreros2025-10-08T14:41:50+00:00monthlyhttps://criticalista.com/2016/06/01/monolith-of-memory/https://criticalista.com/wp-content/uploads/2016/06/pb068520.jpghttps://criticalista.com/wp-content/uploads/2016/06/pb068559.jpghttps://criticalista.com/wp-content/uploads/2016/06/107006726_o.jpg107006726_ohttps://criticalista.com/wp-content/uploads/2016/06/pb068514.jpgRivesaltes Memorial approach. The long monolith lies inside a crudely excavated ditch, amidst barracks in a state of ruin.2025-10-08T14:41:00+00:00monthlyhttps://criticalista.com/2016/06/08/reporting-from-the-affront/https://criticalista.com/wp-content/uploads/2016/06/dscf4600.jpgDSCF4600https://criticalista.com/wp-content/uploads/2016/06/dscf4452.jpgDSCF4452https://criticalista.com/wp-content/uploads/2016/06/dscf4365.jpgDSCF4365https://criticalista.com/wp-content/uploads/2016/06/dscf4318.jpgDSCF4318https://criticalista.com/wp-content/uploads/2016/06/dscf4310.jpgDSCF4310https://criticalista.com/wp-content/uploads/2016/06/dscf4297.jpgDSCF4297https://criticalista.com/wp-content/uploads/2016/06/dscf4285.jpgDSCF42852025-10-08T14:40:01+00:00monthlyhttps://criticalista.com/2016/07/05/everyday-camouflage-in-the-countryside/https://criticalista.com/wp-content/uploads/2016/07/screen-shot-2016-07-05-at-13-53-43.pngScreen Shot 2016-07-05 at 13.53.43https://criticalista.com/wp-content/uploads/2016/07/dscf5346-1.jpgDSCF5346 (1)2025-10-08T14:31:56+00:00monthlyhttps://criticalista.com/2016/08/02/contemporary-ruins/https://criticalista.com/wp-content/uploads/2016/08/panticosa-pano-2.jpgPanticosa Pano 2https://criticalista.com/wp-content/uploads/2016/08/dscf7367.jpgDSCF7367https://criticalista.com/wp-content/uploads/2016/08/dscf7380.jpgDSCF7380https://criticalista.com/wp-content/uploads/2016/08/dscf7397.jpgDSCF7397https://criticalista.com/wp-content/uploads/2016/08/140big_big.jpg140big_bighttps://criticalista.com/wp-content/uploads/2016/08/dscf7401.jpgDSCF7401https://criticalista.com/wp-content/uploads/2016/08/dscf7378.jpgDSCF7378https://criticalista.com/wp-content/uploads/2016/08/dscf7434.jpgDSCF7434https://criticalista.com/wp-content/uploads/2016/08/dscf7368.jpgDSCF73682025-10-08T14:30:50+00:00monthlyhttps://criticalista.com/2016/08/02/contemporary-ruins-ii/https://criticalista.com/wp-content/uploads/2016/08/p8056710.jpghttps://criticalista.com/wp-content/uploads/2016/08/p8056706.jpghttps://criticalista.com/wp-content/uploads/2016/08/p8056699.jpghttps://criticalista.com/wp-content/uploads/2016/08/p8056689.jpg2025-10-08T14:29:17+00:00monthlyhttps://criticalista.com/2016/08/24/temporary-permanence/https://criticalista.com/wp-content/uploads/2016/08/rjae_a_1496731_f0004_b.jpgrjae_a_1496731_f0004_bhttps://criticalista.com/wp-content/uploads/2016/08/martinez-de-guerenu-frontis.jpgmartinez-de-guerenu-frontishttps://criticalista.com/wp-content/uploads/2016/08/oma-barna-pavilion.jpgOMA Barna pavilionhttps://criticalista.com/wp-content/uploads/2016/08/mies-barna-pavilion.jpgMies Barna pavilionhttps://criticalista.com/wp-content/uploads/2016/07/20160726_105013.jpg20160726_105013https://criticalista.com/wp-content/uploads/2016/07/20160726_104909.jpg20160726_1049092025-10-08T14:28:19+00:00monthlyhttps://criticalista.com/2016/10/01/the-venetian-front/https://criticalista.com/wp-content/uploads/2016/09/venbien16_sergio_999_621.jpgvenbien16_sergio_999_621https://criticalista.com/wp-content/uploads/2016/09/venbien16_sergio_745.jpgvenbien16_sergio_745https://criticalista.com/wp-content/uploads/2016/09/venbien16_sergio_586.jpgvenbien16_sergio_586https://criticalista.com/wp-content/uploads/2016/09/venbien16_sergio_562.jpgvenbien16_sergio_562https://criticalista.com/wp-content/uploads/2016/09/venbien16_sergio_657.jpgvenbien16_sergio_6572025-10-08T14:26:45+00:00monthlyhttps://criticalista.com/2016/12/06/architecture-without-parti-erwin-broners-house-and-studio-in-ibiza/https://criticalista.com/wp-content/uploads/2016/12/pc010845-e1480977844556.jpghttps://criticalista.com/wp-content/uploads/2016/12/planta-estudi-projecte-4-e1480978040924.jpghttps://criticalista.com/wp-content/uploads/2016/12/g52-psup-proj-e1480977764569.jpghttps://criticalista.com/wp-content/uploads/2016/12/pc010851-e1480977902961.jpghttps://criticalista.com/wp-content/uploads/2016/12/pc010846.jpghttps://criticalista.com/wp-content/uploads/2016/12/pc010841.jpghttps://criticalista.com/wp-content/uploads/2016/12/broner-lr-2.jpghttps://criticalista.com/wp-content/uploads/2016/12/broner-forecourt.jpghttps://criticalista.com/wp-content/uploads/2016/12/pc010861.jpghttps://criticalista.com/wp-content/uploads/2016/12/pc010778.jpg2025-10-08T14:23:27+00:00monthlyhttps://criticalista.com/2017/01/04/three-roles-played-by-architecture-in-three-recent-films/https://criticalista.com/wp-content/uploads/2017/01/aloys-film-still-1.jpgALOYS_filmstill 00ALOYS by Tobias Noelle / Georg Friedrich as Aloys ©Hugofilm / Simon Guy Faesslerhttps://criticalista.com/wp-content/uploads/2017/01/high-rise-movie-poster-03.jpghigh-rise-movie-poster-03https://criticalista.com/wp-content/uploads/2017/01/remdocumentary.jpgremdocumentary2025-10-08T14:21:47+00:00monthlyhttps://criticalista.com/2017/01/11/rem-koolhaas-mythologized-on-the-big-screen/https://criticalista.com/wp-content/uploads/2017/01/azure-rem-01.jpgazure-rem-012025-10-08T14:21:10+00:00monthlyhttps://criticalista.com/2017/02/13/experitecture/https://criticalista.com/wp-content/uploads/2017/02/ressocc80_secciocc81_fugada_final_eng.jpgresso_seccio_fugada_final_enghttps://criticalista.com/wp-content/uploads/2017/02/img_20170124_150822.jpgimg_20170124_150822https://criticalista.com/wp-content/uploads/2017/02/img_20170124_145326.jpgimg_20170124_145326https://criticalista.com/wp-content/uploads/2017/02/img_20170124_150729.jpgimg_20170124_150729https://criticalista.com/wp-content/uploads/2017/02/img_20170124_144136.jpgimg_20170124_1441362025-10-08T14:19:37+00:00monthlyhttps://criticalista.com/2017/02/21/why-be-normal/https://criticalista.com/wp-content/uploads/2017/02/screen-shot-2017-02-21-at-14-08-32.pngscreen-shot-2017-02-21-at-14-08-32https://criticalista.com/wp-content/uploads/2017/02/img_20170126_091437_417.jpgimg_20170126_091437_417https://criticalista.com/wp-content/uploads/2017/02/img_20170125_202936_161.jpgimg_20170125_202936_161https://criticalista.com/wp-content/uploads/2017/02/img_20170125_195407_814.jpgimg_20170125_195407_8142025-10-08T14:18:13+00:00monthlyhttps://criticalista.com/2017/04/19/monomateriality/https://criticalista.com/wp-content/uploads/2017/04/p4151269.jpgOLYMPUS DIGITAL CAMERAShow home at Green Village, Balihttps://criticalista.com/wp-content/uploads/2017/04/img_20170327_123757.jpgIMG_20170327_123757https://criticalista.com/wp-content/uploads/2017/04/p4151280.jpgOLYMPUS DIGITAL CAMERABamboo veneered electrical outlethttps://criticalista.com/wp-content/uploads/2017/04/img_20170327_123728-1.jpgIMG_20170327_123728 (1)2025-10-08T14:17:20+00:00monthlyhttps://criticalista.com/2017/05/08/vacation-ruin/https://criticalista.com/wp-content/uploads/2017/05/dscf60551.jpgDSCF6055https://criticalista.com/wp-content/uploads/2017/05/screen-shot-2017-05-08-at-15-44-56.pngScreen Shot 2017-05-08 at 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