The Cantilever Race

Forum 2004 Building, Herzog & de Meuron

The skyscraper race is over. It’s been won hands down by an absurdly high building in Dubai which doesn’t look like it will be superseded for quite a while. But not to worry: there is another space race currently in full swing. Unlike the skyscraper race, which was mostly between corporations-developers and their corporate architecture firms, this space race involves organizations and architects of a more academic and artistic inclination. The cantilever race is the fashionable one to participate in now, and if your architectural design doesn’t have a pronounced protrusion poking out of one of its sides or isn’t suspended in a way that appears to defy gravity, it won’t stand a chance. Whose cantilever is the highest, the longest, or the most absurd? CCTV? MVRDV? EMBT? MOUSE?

Despite appearances, though, this cantilever race is not really very different from the skyscraper race. As every structural engineer knows (along with, hopefully, most architects), skyscrapers have to be designed as vertical cantilevers because they must resist, “above all”, wind forces. Seen in this light, the current cantilever race is a horizontal skyscraper race of sorts. Horizontal has become the new vertical.

Barcelona, perhaps in its bid to outdo Dubai at something, has been participating in this cantilever race wholeheartedly. A good example of Catalan Cantileverisme is the Catalan Filmothèque, a veritable concrete bunker by Catalan architect Josep Lluis Mateo (professor at the ETH in Zürich and a founder of the BIArch) that is currently being completed just a few blocks from my home in the Raval neighbourhood of Barcelona. It sports a massive, post-tensioned concrete cantilever reaching over a narrow street, nearly touching the balconies of its residential neighbours. But, what is the cantilever for? What is it doing? Is it sheltering the entrance to the building? No, it only shelters a utility door to an electrical transformer. Is it creating public space? Yes, but not a public space with any qualities, since it is merely widening a dark and dingy street known for vice with a dark and dingy “plaçeta”. Unless it is deliberately intended to provide a shady spot for junkies to shoot up or for prostitutes to turn a trick, which I don’t think is the case, then just what is the cantilever doing, precisely? Nothing, unless looking impressive (or oppressive, better said) counts as doing something. For all the talk these days about “performance” in architecture…

Filmothèque of Catalonia, Josep Lluis Mateo

But this is not an isolated case. In fact Barcelona abounds with cantilevers of all shapes, sizes and pretexts. The following is a photographic tour of some of the cantilevers of Barcelona:

Fire station, Manuel Ruisánchez
Gas Natural Headquarters, EMBT
DHUB Design Museum, MBM
Office building, Dominique Perrault
Hotel ME, Dominique Perrault
Office building, Josep Mías
Office building, Arata Isozaki
Botanical Institute, Carles Ferrater
Hotel in Poble Nou
Social Housing, Arturo Frediani (photo courtesy Urbipedia)
Quaderns 204 cover (1994).

About Rafael Gomez-Moriana

I am an architect, writer and educator. rafagomo.com chronicles my architectural making, writing, teaching and curating activity, while criticalista.com is an archive of my writings as well as a platform for venting personal rants and observations. I studied architecture at the University of Waterloo (Canada) and at the Berlage Institute (the Netherlands). I direct the University of Calgary’s architecture term-abroad program in Barcelona and teach at CIEE, and have previously taught in the Metropolis Masters Program in Architecture and Urban Culture as well as at Carleton University and the University of Manitoba.

One comment

  1. Steven Elmets

    What about the IBM Building on 57th and Madison in New York City? Edward Larabe Barnes was the architect.

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