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Criticalista

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Tag: wilderness

Gaudí’s Essential Hut

El Xalet de Catllaràs is a mountain refuge by Antoni Gaudí completed in 1905 for workers of the Asland cement … More

architecture, Catalonia, countryside, Gaudí, geometry, mountains, refuge, wilderness

Dialectical Destinations: Two Solo Houses

[A version of this text was originally published in Baumeister December 2017] Contemporary architecture has become such an intrinsic component … More

Baumeister, countryside, court yard house, forest, Office KGDVS, overtourism, Pezo Von Ellrichshausen, romantic gaze, Solo Houses, Spain, touristic architecture, wilderness

Loop the Loop

[Originally published in Mark Magazine #69] Solo Houses is the name of a project that’s intended to include more than … More

countryside, development, leisure, loop building, Mark Magazine, Office KGDVS, Solo Houses, Solo Office, tourism, wilderness

Contemporary Ruins

As is well-known, Spain’s recent building boom-turned-bust has left behind a legacy of halted construction projects that are now in … More

Alvaro Siza, architecture, Balneario de Panticosa, countryside, crisis, mountains, ruin, Spain, wilderness

The School in the Forest

Els Xiprers –The Cypresses in Catalan– is the name of a Barcelona primary school situated in a very special setting: a forested … More

countryside, Els Xiprers, forest, nature, school, wilderness

Seeing Things

Mountain architecture is very different from its flatland counterpart. This may be stating the obvious, but I’m referring here to … More

architecture, art, countryside, hut, landscape, mountains, refuge, shelter, wilderness

Rocket Architecture

[Originally published in Canadian Architect, February 2001] The ensemble of structures illustrated here could easily be mistaken for recent work by … More

authenticity, Churchill, Manitoba, rocket range, seashore, The Canadian Architect Magazine, wilderness

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Criticalista collects Rafael Gomez-Moriana's writings on architecture and the built environment. All photographs by the author unless indicated otherwise.

©2014 Rafael Gomez-Moriana. This work is licensed under a Creative Commons Attribution 4.0 International License.

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