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Criticalista

Rants and reflections on architecture, cities, and politics

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Scatological Cantilever?

Unlike so many contemporary cantilevers whose only purpose, seemingly, is to out-do other cantilevers in depth, height or width, the tiny…

cantilever, Catalonia, ruin, scatology, small town, vernacular

Hyperbolic Holiday Greetings…

…and may the funicular be with you in 2017

Gaudí, sketch

Architecture Without ‘Parti’

One of the first lessons every student learns in architecture school is that an architectural design must always be based on a…

architecture, building typology, Casa Erwin Broner, house, Ibiza, parti, seashore, small town, studio, vernacular

The Barcelona Pavilion as Cozy Christmas Home

Here’s yet another advertisement that features the Barcelona Pavilion. This one isn’t a print ad for a famous German brand…

advertising, Barcelona Pavilion, luxury, Mies

Building on top

Sometimes, the best option is one on top of the other. It might be because available space is too constricted, because an opportunity is…

architecture, densification, safety, stacked buildings

The Definitive Solution to All Gentrification Everywhere

Gentrification is like cancer: everything seems to cause it, and there’s no cure; there’s no answer. We all know by now that…

cities, gentrification, urban transformation, urbanism

The Venetian Front

[Review of the 15th International Architecture Exhibition originally published in Mark Magazine #63. Photos by Sergio Pirrone.] Reporting From the…

Alejandro Aravena, ephemeral architecture, exhibition, Mark Magazine, politics, problem solving, social justice, Venice Biennale

Super-Islands

The city block is a fundamental element of urbanism. The Ancient Romans called a city block an insula, or “island”, which is…

automobile, Barcelona, Salvador Rueda, Urban Ecology Agency of Barcelona, urban mobility, urbanism

Temporary Permanence

Earlier this summer, to celebrate the 30th anniversary of the reconstruction of Mies van der Rohe and Lily Reich’s German Pavilion for…

Barcelona Pavilion, ephemeral architecture, installation, Luis Martínez Santa-María, Mies, OMA, permanence, reconstruction

Contemporary Ruins II

Further to my last post, here is another Spanish contemporary ruin by a Pritzker laureate: Toyo Ito’s spa near Torrevieja.…

architecture, countryside, ruin, seashore, spa, Spain, Torrevieja, Toyo Ito, wood

Contemporary Ruins

As is well-known, Spain’s recent building boom-turned-bust has left behind a legacy of halted construction projects that are now in…

Alvaro Siza, architecture, Balneario de Panticosa, countryside, crisis, mountains, ruin, Spain, wilderness

Built-In Obsolescence

The other day, out of the blue, my printer suddenly stalled, even though it had been working perfectly for once. Strange warning…

automobile, infrastructure, obsolescence, suburbia, technology, urbanism

Everyday Camouflage in the Countryside

The building above looks like a military installation of some sort, right? After all, it’s got a camouflage pattern on…

camouflage, countryside, industry, landscape, nature, Spain

A World Apart: Architectural Autonomy as Artistic Freedom / Un mundo aparte. La autonomía arquitectónica como libertad artística

[Originally presented at and published in Out-onomy, Critic|all II International Conference on Architectural Design and Criticism, ETSAM / Resumen en castellano sigue…

architecture, art, autonomy, Critic/All conference, museum, society, theory

Reporting From the Affront

[Text published in art4d magazine #238] The Venice Biennale is a huge event; architecture’s biggest. It’s so big, if we…

activism, Alejandro Aravena, architecture, Art 4 D magazine, ecological design, social justice, spectacle, sustainability, Venice Biennale

Monolith of Memory

[Text originally published in Mark Magazine #61] The Camp de Rivesaltes, a sprawling military base built in 1938 near Perpignan,…

communication, concrete, countryside, detention, france, history, Mark Magazine, materiality, Mémorial de Rivesaltes, memory, monolith, Perpignan, Rudy Ricciotti

Dizzying Inequality

Ben Wheatley’s film High Rise, a multi-story about decadence and class war in a Brutalist housing estate in London, brought plenty…

Ábalos & Herreros, Ben Wheatley, film, hierarchy, highrise, housing, inequality, Jaques Tati, social class

Architecture that Only an Artist can Get Away With

New York’s Guggenheim Museum has just announced plans to install a new artwork by Maurizio Cattelan consisting of a toilet made…

architecture, art, gold, Guggenheim Museum, luxury, Maurizio Cattelan, politics, Toilet

Love-You Architecture

“The envy and hostility of Wall Street leads many to a common goal: to amass enough money so as to…

corruption, fuck-you money, inequality, love-you architecture, Panama Papers, politics, popular culture, tax havens, Wall Street

Avoid the Void

[Originally published in Mark Magazine #60] In recent decades, architecture commemorating violent death has typically relied on a dark, austere and…

Federico García Lorca, Granada, light, Mark Magazine, museum, MX_SI, Spain

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Criticalista collects Rafael Gomez-Moriana's writings on architecture and the built environment. All photographs by the author unless indicated otherwise.

©2014 Rafael Gomez-Moriana. This work is licensed under a Creative Commons Attribution 4.0 International License.

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